Thursday, April 28, 2011
As with any competition that comes our way, I worked in a little curriculum, as well. We discussed a bit of collage technique, such as gluing down objects in the background first and using overlapping to show perspective. Students also had the challenge of combining collage with drawing. I think they did a really nice job, and the project coincided nicely with everything else "Earth Day" that was happening on campus.
|Awesome cake donated by a local restaurant|
Congratulations to our graduating young artists! Thank you for your hard work this year. I hope you will all keep creating!
Pretty much every art teacher makes Styrofoam relief prints, so I don't expect that I'm teaching anyone anything here. And I'm sure I'm not the first to discover the value of markers in inking Styrofoam printing plates, but I must say I was pretty proud of myself for figuring out how to let kids "ink" their stamps themselves without hauling out the paint and smocks. It really is the little joys that thrill me.
- 9" Styrofoam plate for each student (or more...1st and 2nd work quickly)
- Pencil for each student (dull tips work best)
- Variety of water-based markers
- Newsprint (I used 9"x12")
1. Draw a circle on the bottom/flat surface of a Styrofoam plate.
2. Cut out the circle, removing the raised edge of the plate. The circle becomes the printing plate.
3. Using a dull pencil, draw a picture on the printing plate.
- Draw large, leaving plenty of space in between lines. When inking, the lines will remain white, so if lines are too close together the student will get large areas of white when printing, and the image/drawing will not be clear.
- Press firmly, with pencil tilted at an angle to avoid "tearing" the styrofoam. Have students go back over lines to make sure they are pressed down enough to create a relief effect. I walk around the room with a demo that students can touch so they can feel how deep the lines should be. (A whole here or there is okay along the lines...the lines become negative space and don't print anyway!)
- I discourage words, because the image is reversed when printed, and this just causes too much confusion for younger artists (and too many requests for me to write things on the board backward). Also, without words, students focus more on the visual elements of their design.
5. Carefully lay a piece of newsprint ON TOP of the paper. Press down with both hands, keeping one hand still to keep the paper from sliding and using the other hand to smooth the paper. Smooth from the center out to ensure a clear print.
- Students usually want to "stamp" their printing plate like you would a rubber stamp, putting the paper on the table and pressing the plate onto the paper. This doesn't allow for enough pressure to adequately transfer the image.
- Also, thicker papers, like construction paper, don't work as well as newsprint for transferring marker ink.
A few student examples:
|Kindergarten students drew suns and used different line types to express emotion and energy in the sun's face and rays.|
|I encouraged 1st and 2nd graders to think about the circular shape of the printing plate and to consider this shape when deciding what to draw.|
Tuesday, April 26, 2011
This was a fantastic introduction to pen & ink for my third-fifth graders! I borrowed the project from Art Projects for Kids and adapted just a bit (but not much).
This project makes it possible for all students to feel successful, which is really important at this age when so many of them get frustrated with their drawing skills and are at risk of giving up altogether.
|Lovely cross-hatching by a 5th grader.|
Pen & Ink has always been very meditative for me, and I was surprised to see how deeply my students got lost in the process, as well. They absolutely LOVED this project and, while working on their drawings, were the quietest they've been all year long. And that speaks volumes, friends.
- 6"x9" white drawing paper
- Pencils and erasers
- Medium or fine point Sharpie markers (one per student)
1. Use a pencil to gently trace part of one hand onto a 9"x6" piece of white drawing paper. I then show students how to look closely at their hand to add wrinkles and fingernails. Questions to ask: "How many knuckles do you have on each finger?" - "Do your fingernails extend beyond your finger?" - "How do the lines on your fingers curve?" - "Do the lines touch wrap around your finger or are they just on 'top'?"
2. Trace the hand drawing with a Sharpie (or other fine-tipped marker).
|I think some of the "unfinished" drawings are quite nice...|
I found the inspiration for this project on Art Projects for Kids. While I'd love to be able to say that all of my best projects are the product of my own amazing imagination and experience, that simply isn't the case. Most of my experience teaching art prior to this year has been in private schools and through small community non-profit centers, both of which generally allowed for much smaller class sizes than those I have in public school. As a result, I've spent most of this year trying to rethink my approach to certain techniques and concepts in order to make them work for larger groups of kids. Beg, borrow and steal (with credit) has been my mantra, whether from wonderblogs like the one above or from my fellow art teacher at NAGE (who's been at this longer than have I and has been very gracious with ideas and feedback).
|This student wanted to intentionally leave an organic edge at the top of his drawing. He also worked hard on the gradation from dark to light values.|
|How do you not love a 10 year-old who can reference Star Trek??|
|A small fraction of students' drawings...there are hands everywhere!|
Monday, April 4, 2011
Ugh! I've been so bogged down with exhibits and other commitments that I've really been neglecting this poor blog. I have a number of photos on my camera and a few things to scan, as well. We've been very busy in the Elemental Art Room...I'll provide proof soon!